Jazz Blog

Benedetto jazz guitars are internationally renowned for their
exquisite design and craftsmanship. Benedetto is considered the
world’s foremost maker of arch top guitars. Bob Benedetto will
also custom-craft one-of-a-kind instruments on request starting
at about $45,000 and going up depending on what people want in
the guitar. Benedetto’s jazz guitars range in price from $5000 to
over $100,000.

They are prized by jazz guitar players such as John (Bucky)
Pizzarelli, who donated one of the seven-string guitars custom-
made for him by Benedetto to the Smithsonian Institution.

Since the original creation of the Benedetto Guitar introduced in
1968, many people have enjoyed the harmonic sounds that have
flowed from it. Noted jazz guitarist’s who play Benedetto jazz
guitars are: Howard Alden, Jack Wilkins, Frank Vignola, Kenny
Burrell, Johnny Smith, Ron Eschete, Cal Collins and Joe Diorio.

Bob Benedetto has worked hard with the jazz world’s greatest
musicians to refine laminated, smaller-bodied Benedettos that
feel and sound like the great carved Benedetto guitars but are
better suited to the demands of the road and nightclub.

Widely considered the contemporary master of the archtop jazz
guitar. Benedetto jazz guitars are available in:

(a) special one-of-a-kind custom order guitars

(b) the Flagship series

(c) the Professional series

The Flagship series models include – La Venezia / Manhatan /
Fratello / Bambino Elite and Bravo Elite.

The Benedetto jazz guitar Professional series include – Bravo /
Bravo Deluxe and Bambino.

The Benedetto jazz guitar is by far one of the most distinguished
archtop guitars. The Bravo’s parallel spruce bracing, rather
than the X-bracing of most of today’s finest acoustic archtops,
further enhances the rigidity, punch, and (electrified) nature of
the design, although it’s nice to see the laminated spruce here
rather than the traditional maple a detail that Benedetto says
maintains a visual link with his carved-top guitars.

The Benedetto Bravo Features:16″ body with three-ply binding,
laminated maple back and sides, laminated spruce top, parallel
spruce bracing, adjustable ebony bridge, three-piece bound flame-
maple neck, ebony fret board, body-mounted volume and tone
controls with ebony knobs, Benedetto A-6 humbucking pickup,
bleached bone nut, Schaller tuners with ebony buttons, gold-
plated hardware, nitrocellulose gloss finish.

The Bravo is every bit a Benedetto, and has many high-end
features you typically find on more expensive instruments,
including a gorgeous laminated flame-maple back and matching
sides, a select clear arched laminated spruce top, three-piece
flame maple neck with a dark ebony fretboard and adjustable ebony
bridge.

At first glance the Benedetto Bravo may appear to be a little
steeply priced for a laminated-wood instrument doesn’t have the
sylvan, multi-dimensional timbre or tonal succulence of
Benedetto’s Manhattan, Fratello, or La Venezia models, but it
gets you a portion of the Benedetto pedigree, and that’s still a
pretty amazing deal.

“In my earlier years, I was able to make instruments that were
more affordable to guitarists,” says Benedetto. All of which
implies that the Bravo is an “affordable” guitar, and although
such a claim seems contradictory for a model that retails for
$5,000, Benedetto’s carved-top La Venezia goes for $26,000, so
you can see the relativity at play here.

In summary the Benedetto Bravo is a flawlessly crafted archtop
with a very live and responsive top, effortless playability, and
an unmistakable high-end vibe without the top-end price tag.

Bob Benedetto has been built some of the finest musical
instruments to appear in the last 30 years. Each guitar is built
by hand using top-shelf materials, and each is inspected by
Benedetto before being shipped. Bob still works one week per
month at the Benedetto factory with as much care and enthusiasm
as he did way back in the 1960’s.

If you ever have a chance to hear of play any of the Benedetto
jazz guitars live, you’re in for a treat, they don’t make them
any better than this.

By: Mike P Hayes