How Jazz Got Started

Though many associate the birth of jazz music with the city of New Orleans, its origin may be a bit more ambiguous. Like many other musical forms, jazz evolved over a period of years. Many believe its evolution took place over decades. It’s widely agreed, however, that jazz music as we know it today was born in the southern United States. It is also accepted that it developed from a variety of different influences, culminating in a style that became its own genre.

Jazz’s major influence probably came from African slaves brought to the United States in the 1800s. In fact, African music influenced many styles of music, including rock and roll. The form that evolved into jazz consisted specifically of call-and-response singing, syncopation and improvisation. Ragtime, which may be considered a precursor to modern jazz, drew upon many of these elements.

Ragtime music originated after the emancipation of African slaves. The newfound freedom of slaves was bittersweet. Though freedom was deserved and appreciated, there were few job opportunities for freed slaves. Many had no means of self-support, and some simply stayed on with their former owners. Others supported themselves through musical performance. Often, this meant performing in dubious locations, like brothels and minstrel shows.

It was these types of venues that gave rise to ragtime, which enjoyed a brief period of popularity in the late 19th and early 20th century. Talented ragtime musicians like Scott Joplin were generally recognized much later for their contributions to modern jazz.

Though ragtime only graced the music scene for a few years, it influenced what would become referred to in 1915 as jazz music. While the actual origin of the term is uncertain, the name stuck. Cities like New Orleans have since become synonymous with jazz. This is not necessarily because it originated there, but because its musicians have added a distinct flavor to jazz music. Dixieland jazz bands still largely dominate the musical culture of New Orleans. Thanks to modern artists like Louis Armstrong, Winton Marsalis and Miles Davis, Dixieland-style jazz continues to enjoy mainstream popularity.

Once jazz music became labeled as such, more variations developed. Swing was one of those, which saw its height in the 1930s. Swing greats like Count Basie, Benny Goodman and Glenn Miller are still covered by today’s musicians. Although swing isn’t the genre it once was, it still has a big following today.

Because of its early association with brothels and speakeasies, jazz music had a stigma to overcome in its early years of development. Eventually, jazz became an accepted art form. Today jazz is embraced and taught as its own branch of music.

Jazz music is most distinguished from other musical forms for its reliance upon improvisation. The best jazz musicians have gained notoriety for their ability to play without the aid of written music.

They are able to make up music on the spot and off-the-cuff. It’s entirely possible for a song to be different every time it’s performed. This may be one reason that jazz fans believe that the most talented of the world’s musicians are not classical musicians, but purveyors of jazz.



By: Duane Shinn

Play Jazz Now

Getting that jazz sound can be a complex process. It is impossible to say who have the greatest jazz tone and sound as we are all different and are subjective in our listening. What I’m about to share with you acts as a general guide in the area of getting that jazz tone and should be improvise upon should you feel like it.

The Guitar


For an authentic jazz tone, you should have a semi-acoustic hollow body electric guitar. The Gibson ES-175 or the Gretch Tennessean can run into thousands of dollars but there are also excellent entry models such as Ibanez Artcore line of guitars. Guitars by Yamaha or Guild also make great entry level semi-acoustics. Epiphone, owned by Gibson are designed for the aspiring musician to own a Gibson but lack the budget to do so. What you get is a fantastic sounding guitar made by Gibson but at a much much lower price. Look for a guitar which provides a clean tone with plenty of sustain.

Jazz guitar players often plays with a rich mellow tone that is suitable for the style. Roll off the treble on your guitar’s controls to achieve that.

A Jazz Guitar Amplifier


The playing style and sound that you wish to attain will determine the amp you need. Very often, traditional jazz guitar players uses solid state amps that can produce a clean sound which compliment acoustic arch-top guitars. For others seeking a more distorted sound, a tube amp might be just what you are looking for. Many jazz guitarists use a Fender Pro or a Polytone. On board effects maybe another requirement you are looking for. This can range from a overdrive channel to a reverb channel.

Effect Pedals


A hint of reverb is all you need if you are one who does not want to meddle with effects. However, many modern jazz guitar players today includes an arsenal of effect pedals in their effects chain ranging from chorus, overdrive, distortion and even wah-wah pedal. A word of advice. When using effects, ensure they compliment your playing style and that you retain that “clarity” in your tone. Many guitar players often make the mistake of cluttering their guitar tone with too many effects which results in a poor quality muddy sound.

In summary, listen, listen, listen. Listen to recordings by all the jazz guitarists. Listen closely to their sounds and try to emulate them. When done enough, you’ll be able to find that unique tone in your guitar sound which you have crafted. Congratulations! You have found your very own signature sound!

By: Andy Ng

The Story of the Jazz Piano Style

When people think of piano music, they tend to think of classic pieces. Jazz piano is a style that is obviously unique, but also technically and soulfully superb.

The story of the jazz piano begins with a man named Jelly Roll Morton, a town called New Orleans, and a type of music called ragtime. Joseph Ferdinand La Menthe (Jelly Roll Morton) was known throughout New Orleans as a musician that could play just about any type of music. Jelly Roll enjoyed entertaining crowds with his ragtime, jazz, and blues combinations, and he often played to a roaring crowd throughout New Orlean’s Redlight District.

The song “Jelly Roll Blues” was the first jazz compilation every published (1915), and this catchy tune really put both Jelly Roll and the jazz piano on the musical map. There is no debating the fact that Morton was the original father of jazz piano, and he is entirely responsible for the jazz piano tunes that we know and love today. If you have heard this great musician play, you may be interested to know that a fantastic recording of his is currently at the Library of Congress. This recording was the last one that Morton ever did, and it is one of the best recordings in history.

When the 1920s rolled around, jazz music took a whole different turn, and the streets of Chicago and New York City were vibrating with the sound of a rolling piano. During this time, New York musicians were tapping the keys to a style called “Harlem Stride,” and many attribute this type of music to James P. Johnson (1891-1955). The story of jazz piano really started to crank up when Harlem grabbed a hold of the instrument, and though many have tried to duplicate this sound, jazz music has not been the same since.

If you enjoy listening to modern jazz, take the time to discover Jelly Roll and Johnson – you’ll be pleased that you did. Whether you want to play the piano, or whether you simply love to hear those sweet chords chime, those that were true piano pioneers are still the best the world has every heard.

There can be no history of the jazz piano without the mention of New Orleans, Harlem, Chicago, Jelly Roll Morton, and James P. Johnson – the men, the music, and the piano all combine throughout time to create a sound unlike any other. Stop for moment, listen to those old recordings, and then ask yourself whether or not you can hear that good old piano truly roll.

By: Aazdak Alisimo