The Art of Jazz Music

On 08.13.10, In Jazz Blog, By admin2



Jazz music is a very popular form of music, this form of music has been a popular genre since the early 20th century, mostly present and evident in African American neighborhoods and then spread across America and Europe. Jazz has always influenced popular, more mainstream music, over the years it has gone through many evolutions, producing many different sub genres as time has gone on. Jazz is also influenced by the different cultures and regions it is brought into, with each culture adding its’ own distinct twist on the genre. This has created many distinctive and different styles in jazz culture.

It’s hard to define the starting point of the jazz music genre, as there are so many different sub genres and cultures that have involved themselves in jazz music. It’s also very difficult to actually define jazz, and put some kind of label on it’s traits and characteristics, as it has become so widely varied. One huge element of jazz music is definitely improvisation – playing around, rarely playing the same song or melody more than once, not having particular notes or keys to follow and experimenting with the music, which is a huge part of jazz’s liberal, free feel. Early jazz movements also had a kind of call-and-response pattern, in which some players would play a note, only to have other people playing different instruments play the same thing, and so on it would go, making the genre a little bit competitive during live performances. Many early jazz musicians did not even know how to play music. However, this is certainly not to say that jazz players are not talented – they certainly are very talented, often more than classical performers. They often instead learn notes by ear.

Some trace the jazz music genre back to the late 18th century, when African slaves were first brought over to the United States. They would sing, chant or improvise the creation of song and instruments while they were forced to work in the slave trade. This is where jazz’s call-and-response characteristic is from, it became a form of entertainment for the slaves. With the end of slavery, jazz music began to develop even more, as African-Americans were finally treated as people and were entitled to education. They began to perform early forms of jazz music as entertainment in nightclubs and other venues. ‘Ragtime’ was one of the first established sub genres of jazz, which became popular around this time, along with the rise of blues music. Jazz was especially popular in the South during this time, particularly New Orleans, where a lot of jazz music was developed and a lot of famous and influential jazz musicians first became recognized and known.

Throughout the early 1900s’ jazz began to blossom and grow, as musicians played around more with the genre and its’ possibilities. This included sub genres such as swing, gypsy jazz and European styles of jazz.Since this time, jazz has become a major influence and is even partially responsible for the invention and creation of other genres. It’s amazing to see how music has evolved.

By: Gareth L

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Jazz Guitar Strings – The Right Ones For That Perfect Sound

On 03.09.10, In Jazz Blog, By admin



Serious jazz players are quite particular about the jazz guitar strings they choose and use. They expect the exact sound they want. There are different kinds of jazz guitar strings available with reputed manufacturers like Thomastik-Infeld, D’Addario, Elixir, etc. Finally it all boils down to choosing the jazz guitar strings that sound just right for the user.

Types Of Jazz Guitar Strings

Flatwound – probably the most popular for Swing. These are usually flat ribbon wound strings with a polished nickel surface giving the player the flexibility and the kind of smooth sound that is expected.

Roundwound – for BeBop jazz. While several jazz players don’t really go for roundwound strings, manufacturers like Thomastik-Infeld have wooed jazz players with the way they manufacture these. These strings are dense, although of thin diameter and play wonderfully at high frequencies, so much so that the tone has the purity of piano notes.

Most high quality jazz guitar strings are crafted with a core of carbon steel rather than the usual hex cores. This makes them play better and also vibrates well without the ‘preferred motion axis’. These string ends are wrapped in silk to keep the winding intact and to also increase their life.

For those who play blues jazz – and practically everyone who plays jazz does play the blues – the flatwound chrome strings they use are the most preferred. This is because these strings do not create the finger noise associated with other strings, resulting in easy play and better style. But the half round wounds are also popularly used, as they seem smoother and there is more clarity of sound with them compared to flatwounds, making them sound great when playing the blues.

Making The Choice For Jazz Guitar Strings

It is vital, as any jazz guitar player knows, to choose the strings that work best for you, and also make sure you replace them properly when necessary to avoid your guitar detuning. The main things to remember in making your choice are: the brand you select, the composition of the strings, string gauge, and the type of winding.

As far as brand is concerned, you can try a few and choose the ones you feel most comfortable with. As mentioned earlier, the most reputed are Thomastik-Infeld, D’Addario, Elixir, and others.

Guitar strings are usually composed of a core high carbon steel wire with a wrap wire wound around them, which influences the sound of the guitar strings. This material could be nickel, considered the best, or stainless steel for brighter tones, or phosphor bronze for a warmer sound mostly used in acoustic guitar strings. Most classical guitars have nylon strings.

String Gauge refers to the diameter of the first and last guitar string since most guitar strings are sold as sets. Jazz guitar string sets are usually available as .012 – 0.054-inch diameter, which is heavier than those used for other music styles, so that they result in a thicker tone with increased sustain. Most jazz guitarists just starting out to play use lighter sets to first get used to them and then move on to the heavier type. It should be borne in mind that as you progress to an advanced playing level, and switch to a string set of heavier gauge, you must also adjust your guitar neck and the intonation.
The roundwound type of strings have a louder and brighter sound while the flatwound type has a flat ribbon wire with duller, smoother sound. Most jazz guitar strings are of the flatwound type.

Some Jazz Guitar String Maintenance Tips

To get your jazz guitar strings to last longer, remember to wipe them down using a dry cloth after each playing session. It is better to replace your strings just as they begin to wear out. Preferably change the entire set since changing just that one broken string can lose the sync of your sound.

By: Brian Trainer

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Jazz Guitar Theory – What is It?

On 10.30.09, In Jazz Blog, By admin

Jazz as we know it now grew from a form of music that was passed directly from musician to musician without too much theory being involved. Jazz guitar theory is a collection of ideas and traditions that has grown over the decades of jazz playing.

The original jazz players did not need theory. They needed to know their guitars well enough to be able to provide part of the rhythm for other instruments in the band or to play solos if they were needed. The nature of guitar playing in jazz bands varied over the years and depended on whether the guitarist was in a big band or a small group.

Jazz guitar theory is the product of the need for jazz players to communicate musical ideas to one another. To pass these ideas on a guitarist needed to be able to read standard musical notation and, as jazz playing became more sophisticated, he needed the technique to play the exotic barre chords that became the norm in jazz guitar music.

A part of jazz theory is what we could loosely call traditions of jazz – ways of approaching music that have become standard practice for jazz players. None of these traditions is set in concrete, but the use of the electric archtop guitar has become widespread over the years as is the use of barre chord voicings rather than open chords.

If you learn jazz guitar theory you will learn to rely on the seventh and third notes of a chord and how interest can be added by the use of the ninth, eleventh or thirteenth notes. These notes may be totally foreign to the original melody the guitarist is improvising over, but jazz players have the work of guitarists from previous generations to draw on when they make use of these unusual voicings.

A big part of jazz guitar theory is the types of techniques used to express musical feelings. Jazz guitar players have their own strumming patterns and chord progressions that may vary greatly from the ways of playing the original genre they might be interpreting. Also, although rock and blues guitar players of the past thirty or so years have left their mark on jazz, there is a tendency among jazz guitarists to use electronic effects rather sparingly.

To examine the basis of jazz guitar theory we need to be aware of the founders of modern jazz playing, like Wes Montgomery, Jim Hall, Barney Kessel, Joe Pass and Herb Ellis as well as the founders of guitar tradition like Django Reinhardt and Charlie Christian. Jazz guitar theory has been shaped by modern players who have departed from tradition, such as John McLaughlin, Al Di Meola and Pat Metheny.

By: Ricky Sharples

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