<?xml version="1.0" encoding="UTF-8"?>
<rss version="2.0"
	xmlns:content="http://purl.org/rss/1.0/modules/content/"
	xmlns:wfw="http://wellformedweb.org/CommentAPI/"
	xmlns:dc="http://purl.org/dc/elements/1.1/"
	xmlns:atom="http://www.w3.org/2005/Atom"
	xmlns:sy="http://purl.org/rss/1.0/modules/syndication/"
	xmlns:slash="http://purl.org/rss/1.0/modules/slash/"
	>

<channel>
	<title>Jazz Blog &#187; Jazz Chords</title>
	<atom:link href="http://www.thesavagejazz.com/tag/jazz-chords/feed" rel="self" type="application/rss+xml" />
	<link>http://www.thesavagejazz.com</link>
	<description></description>
	<lastBuildDate>Tue, 22 Feb 2011 18:01:32 +0000</lastBuildDate>
	<generator>http://wordpress.org/?v=2.8.4</generator>
	<language>en</language>
	<sy:updatePeriod>hourly</sy:updatePeriod>
	<sy:updateFrequency>1</sy:updateFrequency>
			<item>
		<title>How to Get That &quot;Gospel Feeling&quot; Using Jazz Chords</title>
		<link>http://www.thesavagejazz.com/jazz-blog/how-to-get-that-gospel-feeling-using-jazz-chords-2</link>
		<comments>http://www.thesavagejazz.com/jazz-blog/how-to-get-that-gospel-feeling-using-jazz-chords-2#comments</comments>
		<pubDate>Sun, 07 Mar 2010 09:45:20 +0000</pubDate>
		<dc:creator>admin</dc:creator>
				<category><![CDATA[Jazz Blog]]></category>
		<category><![CDATA[Arsenal]]></category>
		<category><![CDATA[B7]]></category>
		<category><![CDATA[Blues Jazz]]></category>
		<category><![CDATA[C Chord]]></category>
		<category><![CDATA[Clash]]></category>
		<category><![CDATA[Extremes]]></category>
		<category><![CDATA[Fashion]]></category>
		<category><![CDATA[Gospel Chords]]></category>
		<category><![CDATA[Gospel Jazz]]></category>
		<category><![CDATA[Half Step]]></category>
		<category><![CDATA[Jazz Chords]]></category>
		<category><![CDATA[Little Bit]]></category>
		<category><![CDATA[Modern Jazz]]></category>
		<category><![CDATA[Ninth Chord]]></category>
		<category><![CDATA[Octave]]></category>
		<category><![CDATA[Old Hymn]]></category>
		<category><![CDATA[Overtones]]></category>
		<category><![CDATA[Rundown]]></category>
		<category><![CDATA[Seventh Chord]]></category>
		<category><![CDATA[Triad]]></category>

		<guid isPermaLink="false">http://thesavagejazz.com/jazz-blog/how-to-get-that-gospel-feeling-using-jazz-chords-2</guid>
		<description><![CDATA[Does the cold, cerebral feel of modern jazz leave you cold? Maybe you&#8217;d like to have a little bit of &#8220;gospel&#8221; in your jazz? Maybe you just want to take an old hymn and give it some updating. Then you&#8217;ll need to load yourself with an arsenal of gospel jazz chords.Gospel jazz chords involve extending [...]]]></description>
			<content:encoded><![CDATA[<p><br/><br/>Does the cold, cerebral feel of modern jazz leave you cold? Maybe you&#8217;d like to have a little bit of &#8220;gospel&#8221; in your jazz? Maybe you just want to take an old hymn and give it some updating. Then you&#8217;ll need to load yourself with an arsenal of gospel jazz chords.<br/><br/>Gospel jazz chords involve extending the dominant seventh chord with additional tones. The ninth, 11th and 13th chords are all used in gospel jazz. These are extensions of the basic dominant seventh chord. If you don&#8217;t know how to form a dominant seventh, here&#8217;s the rundown.<br/><br/>The dominant seventh is formed by taking a basic triad, which is 1-3-5, and adding a b7. In the key of C, you would play the notes C, E, G and Bb. The C chord is formed by the C, E and G. The major seventh is B, so you would lower it a half-step to get Bb. Play this chord and notice how it brings to mind some great blues and jazz. The C dominant seventh chord is written as C7.<br/><br/>Now you&#8217;re going to learn a bit more theory to understand gospel jazz chords. Since the notes of a major scale are numbered 1-7, where does the ninth tone come from? It comes from extending the scale beyond one octave. After the seventh tone of the scale comes the root, which is considered the eighth tone of the scale. So the ninth tone is the second, only an octave higher. To form a ninth chord, take a dominant seventh and add the ninth.<br/><br/>The 11th and 13th chords are formed in a similar fashion. The 11th tone of the scale is just an octave above the fourth, while the 13th is an octave above the sixth. The 13th is one of the most used gospel jazz chords. By extending chords to these extremes, you&#8217;ll hear some interesting tonalities and overtones develop in a well-tuned instrument.<br/><br/>Since every note of these chords is easily played on a piano, the resulting sound may get a little muddy. Some of the tones create a clash with other tones. A clash is when two notes that are a half step apart are played together. Sometimes a clash is useful, while at other times it isn&#8217;t. For these reasons, less important tones are often left out of extended gospel jazz chords. Take the ninth chord, for example. The fifth is often dropped from the chord to create a cleaner emphasis on the third, seventh and ninth tones of the chord. Try it and hear the difference.<br/><br/>Though it all seems a bit complex at first, the simple theory of gospel jazz chords comes naturally with a little practice. Try these chords in different keys, leave out different chord tones, and find out what gospel jazz chords sound best to you. These chords are useful in other jazz styles, as well. Even popular music today makes slick use of extended gospel jazz chords. Tasteful use of these chords can spice up even the most ordinary of hymns and gospel songs.<br/><br/><em>By: <strong>Duane Shinn						</a></strong></em><br/><br/></p>
]]></content:encoded>
			<wfw:commentRss>http://www.thesavagejazz.com/jazz-blog/how-to-get-that-gospel-feeling-using-jazz-chords-2/feed</wfw:commentRss>
		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>How To Get That &#8220;Gospel Feeling&#8221; Using Jazz Chords</title>
		<link>http://www.thesavagejazz.com/jazz-blog/how-to-get-that-gospel-feeling-using-jazz-chords</link>
		<comments>http://www.thesavagejazz.com/jazz-blog/how-to-get-that-gospel-feeling-using-jazz-chords#comments</comments>
		<pubDate>Mon, 28 Dec 2009 00:00:00 +0000</pubDate>
		<dc:creator>admin</dc:creator>
				<category><![CDATA[Jazz Blog]]></category>
		<category><![CDATA[Arsenal]]></category>
		<category><![CDATA[B7]]></category>
		<category><![CDATA[Blues Jazz]]></category>
		<category><![CDATA[C Chord]]></category>
		<category><![CDATA[Clash]]></category>
		<category><![CDATA[Extremes]]></category>
		<category><![CDATA[Fashion]]></category>
		<category><![CDATA[Gospel Chords]]></category>
		<category><![CDATA[Gospel Jazz]]></category>
		<category><![CDATA[Half Step]]></category>
		<category><![CDATA[Jazz Chords]]></category>
		<category><![CDATA[Little Bit]]></category>
		<category><![CDATA[Modern Jazz]]></category>
		<category><![CDATA[Ninth Chord]]></category>
		<category><![CDATA[Octave]]></category>
		<category><![CDATA[Old Hymn]]></category>
		<category><![CDATA[Overtones]]></category>
		<category><![CDATA[Rundown]]></category>
		<category><![CDATA[Seventh Chord]]></category>
		<category><![CDATA[Triad]]></category>

		<guid isPermaLink="false">http://thesavagejazz.com/jazz-blog/how-to-get-that-gospel-feeling-using-jazz-chords</guid>
		<description><![CDATA[Does the cold, cerebral feel of modern jazz leave you cold? Maybe you&#8217;d like to have a little bit of &#8220;gospel&#8221; in your jazz? Maybe you just want to take an old hymn and give it some updating. Then you&#8217;ll need to load yourself with an arsenal of gospel jazz chords.Gospel jazz chords involve extending [...]]]></description>
			<content:encoded><![CDATA[<p>Does the cold, cerebral feel of modern jazz leave you cold? Maybe you&#8217;d like to have a little bit of &#8220;gospel&#8221; in your jazz? Maybe you just want to take an old hymn and give it some updating. Then you&#8217;ll need to load yourself with an arsenal of gospel jazz chords.<br/><br/>Gospel jazz chords involve extending the dominant seventh chord with additional tones. The ninth, 11th and 13th chords are all used in gospel jazz. These are extensions of the basic dominant seventh chord. If you don&#8217;t know how to form a dominant seventh, here&#8217;s the rundown.<br/><br/>The dominant seventh is formed by taking a basic triad, which is 1-3-5, and adding a b7. In the key of C, you would play the notes C, E, G and Bb. The C chord is formed by the C, E and G. The major seventh is B, so you would lower it a half-step to get Bb. Play this chord and notice how it brings to mind some great blues and jazz. The C dominant seventh chord is written as C7.<br/><br/>Now you&#8217;re going to learn a bit more theory to understand gospel jazz chords. Since the notes of a major scale are numbered 1-7, where does the ninth tone come from? It comes from extending the scale beyond one octave. After the seventh tone of the scale comes the root, which is considered the eighth tone of the scale. So the ninth tone is the second, only an octave higher. To form a ninth chord, take a dominant seventh and add the ninth.<br/><br/>The 11th and 13th chords are formed in a similar fashion. The 11th tone of the scale is just an octave above the fourth, while the 13th is an octave above the sixth. The 13th is one of the most used gospel jazz chords. By extending chords to these extremes, you&#8217;ll hear some interesting tonalities and overtones develop in a well-tuned instrument.<br/><br/>Since every note of these chords is easily played on a piano, the resulting sound may get a little muddy. Some of the tones create a clash with other tones. A clash is when two notes that are a half step apart are played together. Sometimes a clash is useful, while at other times it isn&#8217;t. For these reasons, less important tones are often left out of extended gospel jazz chords. Take the ninth chord, for example. The fifth is often dropped from the chord to create a cleaner emphasis on the third, seventh and ninth tones of the chord. Try it and hear the difference.<br/><br/>Though it all seems a bit complex at first, the simple theory of gospel jazz chords comes naturally with a little practice. Try these chords in different keys, leave out different chord tones, and find out what gospel jazz chords sound best to you. These chords are useful in other jazz styles, as well. Even popular music today makes slick use of extended gospel jazz chords. Tasteful use of these chords can spice up even the most ordinary of hymns and gospel songs.<br/><br/><br/><br/></p>
<p><em>By: <strong>Duane Shinn</strong></em><br/><br/></p>
]]></content:encoded>
			<wfw:commentRss>http://www.thesavagejazz.com/jazz-blog/how-to-get-that-gospel-feeling-using-jazz-chords/feed</wfw:commentRss>
		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>All About Learning to Play Jazz Guitar</title>
		<link>http://www.thesavagejazz.com/jazz-blog/all-about-learning-to-play-jazz-guitar</link>
		<comments>http://www.thesavagejazz.com/jazz-blog/all-about-learning-to-play-jazz-guitar#comments</comments>
		<pubDate>Mon, 28 Dec 2009 00:00:00 +0000</pubDate>
		<dc:creator>admin</dc:creator>
				<category><![CDATA[Jazz Blog]]></category>
		<category><![CDATA[Common Myth]]></category>
		<category><![CDATA[Developing Confidence]]></category>
		<category><![CDATA[Ego]]></category>
		<category><![CDATA[Guitar Chords]]></category>
		<category><![CDATA[Guitar Player]]></category>
		<category><![CDATA[Guitar Scales]]></category>
		<category><![CDATA[Gypsy Jazz]]></category>
		<category><![CDATA[Invest]]></category>
		<category><![CDATA[Jazz Chords]]></category>
		<category><![CDATA[Jazz Guitar Lessons]]></category>
		<category><![CDATA[Jazz Lessons]]></category>
		<category><![CDATA[Jazz Music]]></category>
		<category><![CDATA[Jazz Scales]]></category>
		<category><![CDATA[Knowledge]]></category>
		<category><![CDATA[Learning Theories]]></category>
		<category><![CDATA[Melody]]></category>
		<category><![CDATA[Mentor]]></category>
		<category><![CDATA[Mysteries]]></category>
		<category><![CDATA[Mystical Experience]]></category>
		<category><![CDATA[Tunes]]></category>

		<guid isPermaLink="false">http://thesavagejazz.com/jazz-blog/all-about-learning-to-play-jazz-guitar</guid>
		<description><![CDATA[Let’s get rid of one myth right here! One common myth floating around is that jazz music is complicated. Some people have the idea that it can only be learned by unraveling the deep mysteries of the inner being – like it’s some sort of mystical experience that requires years of learning theories, scales and [...]]]></description>
			<content:encoded><![CDATA[<p>Let’s get rid of one myth right here! One common myth floating around is that jazz music is complicated. Some people have the idea that it can only be learned by unraveling the deep mysteries of the inner being – like it’s some sort of mystical experience that requires years of learning theories, scales and chords. That thought alone is overwhelming and as a result, we need to refocus our attention to one thing – keeping it simple.<br/><br/>If you seriously want to become a better jazz guitar player, then keeping it simple is all you need to get where you want to go. Start with the basics. You already know that you’ll need some knowledge of jazz guitar scales and chords. You’ll also need a mentor or a teacher who can help you develop your talent and skill and lastly, you’ll need to begin developing confidence in your playing ability (this means practicing what you’ve learned). For the new player, these basic activities will help you progress in your learning and soon, you’ll be looking for the intermediate and advanced teachings in jazz guitar!<br/><br/>The first step to learning how to play jazz guitar is to invest in some jazz guitar lessons. In the basic type of lesson, you should be learning the different scales and chords from a teacher who isn’t trying to impress you with his or her blinding knowledge and ego. Instead, find a teacher who keeps it simple so that you can grow as a student.<br/><br/>Know that you have to invest some time into your playing and practice! One of the players I met used to avidly videotape his playing the gypsy jazz guitar so that he could improve his playing technique. Another woman I met used to listen to a melody over and over again until she had it solidly in her mind. As she listened to the melody, she attempted to memorize it and recreate it on her guitar. In fact, she’s memorized a lot of tunes that way. A few years ago, I knew of a student who used to go over the lesson he just learned for hours, and I literally mean hours, until he knew it inside and out. I think he was just looking for an excuse to play, though, because even after he knew the lesson, he didn’t quit.<br/><br/>Before you get out there and start buying your jazz guitar amps and other gear, consider if you’ll have the time to do the basic things you need to do to learn all about playing jazz guitar. Set your learning and practice habit up for success by keeping it simple and you will reap the results of your investment!<br/><br/><br/><br/></p>
<p><em>By: <strong>Logan Young</strong></em><br/><br/></p>
]]></content:encoded>
			<wfw:commentRss>http://www.thesavagejazz.com/jazz-blog/all-about-learning-to-play-jazz-guitar/feed</wfw:commentRss>
		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>Jazz Piano</title>
		<link>http://www.thesavagejazz.com/jazz-blog/jazz-piano</link>
		<comments>http://www.thesavagejazz.com/jazz-blog/jazz-piano#comments</comments>
		<pubDate>Wed, 28 Oct 2009 08:36:00 +0000</pubDate>
		<dc:creator>admin</dc:creator>
				<category><![CDATA[Jazz Blog]]></category>
		<category><![CDATA[Arpeggios]]></category>
		<category><![CDATA[Bill Evans]]></category>
		<category><![CDATA[Chord Chart]]></category>
		<category><![CDATA[Chord Progressions]]></category>
		<category><![CDATA[Essential Tools]]></category>
		<category><![CDATA[Fake Music]]></category>
		<category><![CDATA[Georgia On My Mind]]></category>
		<category><![CDATA[Gospel Song]]></category>
		<category><![CDATA[Herbie Hancock]]></category>
		<category><![CDATA[Jazz Artists]]></category>
		<category><![CDATA[Jazz Cd]]></category>
		<category><![CDATA[Jazz Chords]]></category>
		<category><![CDATA[Jazz Musician]]></category>
		<category><![CDATA[Jazz Piano]]></category>
		<category><![CDATA[Jazz Scales]]></category>
		<category><![CDATA[Keith Jarret]]></category>
		<category><![CDATA[Major Scales]]></category>
		<category><![CDATA[Melodic Minor Scales]]></category>
		<category><![CDATA[Music Sheet]]></category>
		<category><![CDATA[Piano Jazz]]></category>
		<category><![CDATA[Playing The Piano]]></category>

		<guid isPermaLink="false">http://thesavagejazz.com/jazz-blog/jazz-piano</guid>
		<description><![CDATA[Jazz piano is one of the most vibrant, energetic, specialized types of music. Famous jazz artists you may want to listen to are Herbie Hancock, Keith Jarret, Bill Evans, to name but a few. To learn jazz piano you need to take some time to listen to jazz CD&#8217;s and maybe watch DVD&#8217;s as well. [...]]]></description>
			<content:encoded><![CDATA[<p>Jazz piano is one of the most vibrant, energetic, specialized types of music. Famous jazz artists you may want to listen to are Herbie Hancock, Keith Jarret, Bill Evans, to name but a few. To learn jazz piano you need to take some time to listen to jazz CD&#8217;s and maybe watch DVD&#8217;s as well. To learn jazz piano, one needs to be very patient and dedicated to practicing the genre.<br/><br/>Jazz piano is characterized by a lot of improvisation. A jazz musician can be given a fake music sheet or chord chart and he can improvise on the spot over those chord progressions. It is recommended that a jazz musician know or have standard songs in their repertoire. Standard songs include songs like &#8220;Willow Weep for Me,&#8221; &#8220;Summertime,&#8221; and &#8220;Georgia on My Mind&#8221; to name but a few. Standard songs are songs that have been covered by many recording artists in the past, usually every year. For example one may consider the gospel song &#8220;Amazing Grace&#8221; a standard gospel song because a lot of artists have covered the song throughout the years.<br/><br/>Knowledge of scales and chords are essential tools needed to be a good jazz musician, let alone the technique needed to play this genre. As a jazz musician you will need to practice different types of scales, chords, arpeggios, staccato playing, legato playing, playing chords on the left hand while playing scales in the right hand at the same time.<br/><br/>To learn jazz you need to start with the basics: minor and major scales and minor and major chords. Once you master these then you can go forth to learning advanced chords(jazz chords) and scales. These chords include diminished, dominant, major nine, tritone chords, etc. Advanced scales will entail learning lydian, diminished, chromatic, melodic minor scales, for example.<br/><br/>You must remember that when it comes to playing the piano, it is not how you play but how you play is very essential as well. This is the reason why you need technique: how hard or soft do you play the notes, how you sit at the piano, breathing, how you position your hands and fingers on the piano, playing chords and scales, etc.<br/><br/>You will definitely need resources to play the piano, someone to hold you by the hand. The key to mastering jazz piano is to learn (get as much information as possible), patience and practice!practice!practice!<br/><br/><em>By: <strong>Jay Mtimkulu</strong></em><br/><br/></p>
]]></content:encoded>
			<wfw:commentRss>http://www.thesavagejazz.com/jazz-blog/jazz-piano/feed</wfw:commentRss>
		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>Jazz Piano Chords Make a Night Come Alive</title>
		<link>http://www.thesavagejazz.com/jazz-blog/jazz-piano-chords-make-a-night-come-alive</link>
		<comments>http://www.thesavagejazz.com/jazz-blog/jazz-piano-chords-make-a-night-come-alive#comments</comments>
		<pubDate>Thu, 22 Oct 2009 10:42:46 +0000</pubDate>
		<dc:creator>admin</dc:creator>
				<category><![CDATA[Jazz Blog]]></category>
		<category><![CDATA[Classic Jazz]]></category>
		<category><![CDATA[Friends And Family]]></category>
		<category><![CDATA[Generations]]></category>
		<category><![CDATA[Genre]]></category>
		<category><![CDATA[Great Artists]]></category>
		<category><![CDATA[Immense Pride]]></category>
		<category><![CDATA[Jazz Chords]]></category>
		<category><![CDATA[Jazz Music]]></category>
		<category><![CDATA[Jazz Musicians]]></category>
		<category><![CDATA[Jazz Piano Chords]]></category>
		<category><![CDATA[Jazz Records]]></category>
		<category><![CDATA[Jazz Standards]]></category>
		<category><![CDATA[Music Jazz]]></category>
		<category><![CDATA[Musical Style]]></category>
		<category><![CDATA[Musician]]></category>
		<category><![CDATA[No Doubt]]></category>
		<category><![CDATA[Passion]]></category>
		<category><![CDATA[Style Of Music]]></category>
		<category><![CDATA[Styles Of Music]]></category>
		<category><![CDATA[Type Of Music]]></category>

		<guid isPermaLink="false">http://thesavagejazz.com/?p=20</guid>
		<description><![CDATA[Everyone has their favorite style of music that really makes them come alive and no matter what genre is the one that you choose, there is no doubt that jazz music has the ability to delight and infuriate people the world over. Some people are unable to take to this form of music but many [...]]]></description>
			<content:encoded><![CDATA[<p>Everyone has their favorite style of music that really makes them come alive and no matter what genre is the one that you choose, there is no doubt that jazz music has the ability to delight and infuriate people the world over. Some people are unable to take to this form of music but many people truly adore jazz and would rate it as their favorite genre of all the option available today.<br/><br/>There are many great artists making jazz today but for many people, the old jazz standards are what truly appeals to them and many budding jazz musicians are looking to learn the styles of the original artists who made the classic jazz records that have inspired thousands of musicians and fans throughout the years and generations. Jazz is one of the most exciting and inspirational styles of music around and being able to play in the style can be a great bonus for the musician, their friends and family and countless people they may encounter through the music. Jazz is a type of music that allows people to get together and share their passion and love for this exciting and much loved genre.<br/><br/><strong>Learn Jazz Piano Chords with ease</strong><br/><br/>Jazz may at times seem to be a puzzling and confusing style of music but this can create an ever bigger challenge and increase the desire for a great number of people to learn how to play this innovative and exciting style of music. Yes, <strong>jazz music</strong> can be more challenging than a great number of musical styles but this does not mean that it is impossible to learn. Anyone who is capable of mastering the music of jazz can take an immense pride at being able to bring together many of the intricate styles that make up jazz standards.<br/><br/>A great way to learn about jazz is to study the styles of some of the great musicians and try to learn some of their styles and techniques. Over time you can develop your own musical style but it can speed up the process of learning if you attempt to bring some skills from respected musicians as a basis for your own development.<br/><br/>There is a fine history and tradition related to jazz and a list of musicians who would make up a jazz hall of fame would be ranked as some of the finest musicians of all time. Whether its their startling innovation skills or the way they manage to conjure up new sounds and push the boundaries of music, jazz has the ability to bewilder and bewitch people all across the land. Having the ability to join in with other jazz musicians is a great talent in itself and having the talent to make music with others is something that many musicians crave.<br/><br/><strong>Develop Jazz Piano Chords as part of your repertoire</strong><br/><br/>Being able to meet like minded individuals and sharing a hobby with them can be a great benefit to people who may find it hard to meet other people and developing a range of skills in an instrument can be a fantastic way to break the ice and make friends. This makes jazz music an ideal hobby to take up regardless of your situation and background as jazz is a musical genre that manages to transcend genres.<br/><br/>So whether you want to play the best type of music you can think or just get an understanding of the jazz standards that have delighted people throughout the years, there is not a better style of music to learn.<br/><br/><em>By: <strong>James Hanna</strong></em><br/><br/></p>
]]></content:encoded>
			<wfw:commentRss>http://www.thesavagejazz.com/jazz-blog/jazz-piano-chords-make-a-night-come-alive/feed</wfw:commentRss>
		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>Jazz Guitar Chords Online</title>
		<link>http://www.thesavagejazz.com/jazz-blog/jazz-guitar-chords-online</link>
		<comments>http://www.thesavagejazz.com/jazz-blog/jazz-guitar-chords-online#comments</comments>
		<pubDate>Sun, 04 Oct 2009 22:38:50 +0000</pubDate>
		<dc:creator>admin</dc:creator>
				<category><![CDATA[Jazz Blog]]></category>
		<category><![CDATA[Blind Side]]></category>
		<category><![CDATA[Chord Changes]]></category>
		<category><![CDATA[Chord Substitutions]]></category>
		<category><![CDATA[Country Background]]></category>
		<category><![CDATA[Guitarists]]></category>
		<category><![CDATA[Jazz Chords]]></category>
		<category><![CDATA[Jazz Guitar Chords]]></category>
		<category><![CDATA[Jazz Guitar Website]]></category>
		<category><![CDATA[Jazz Guitarist]]></category>
		<category><![CDATA[Jazz Player]]></category>
		<category><![CDATA[Jazz Standards]]></category>
		<category><![CDATA[Jazz Studies]]></category>
		<category><![CDATA[Misbehavin]]></category>
		<category><![CDATA[Miss Jones]]></category>
		<category><![CDATA[Satin Doll]]></category>
		<category><![CDATA[Sheet Music Store]]></category>
		<category><![CDATA[St Louis Blues]]></category>
		<category><![CDATA[Standards Jazz]]></category>
		<category><![CDATA[Stormy Weather]]></category>
		<category><![CDATA[Sweet Georgia Brown]]></category>

		<guid isPermaLink="false">http://thesavagejazz.com/?p=3</guid>
		<description><![CDATA[Learning jazz chords online can be confusing and frustrating to say the least. Just when the budding jazz guitarist thinks they&#8217;ve stumbled onto something along comes another version of the same song with a completely different set of chords.For our present discussion, we&#8217;ll limit our observations and suggestions to learning jazz chords online, however a [...]]]></description>
			<content:encoded><![CDATA[<p>Learning jazz chords online can be confusing and frustrating to <br />say the least. Just when the budding jazz guitarist thinks <br />they&#8217;ve stumbled onto something along comes another version of <br />the same song with a completely different set of chords.<br/><br/>For our present discussion, we&#8217;ll limit our observations and <br />suggestions to learning jazz chords online, however a quick <br />browse through any well stocked sheet music store will reveal the <br />same issues that any aspiring jazz guitarist must learn to <br />overcome.<br/><br/>The choice of chords the guitarists selects has a significant <br />effect on the soloist&#8217;s choice of notes in their solos and <br />presentation of the melody.<br/><br/>There&#8217;s an endless list of possible chords, chord inversions, <br />chord substitutions etc. that can totally blind side the newbie <br />jazz player. In fact, the task is often so overwhelming that the <br />avalanche of information swamps the guitarist with an enormous <br />amount of stuff they do not have to learn.<br/><br/>So,before trotting off to another jazz guitar website in search <br />of the lost chord, here&#8217;s a few things to think about to pin your <br />ear on straight!<br/><br/>Focus your jazz studies on specific objectives: a great idea is <br />to learn the chord changes to &#8220;jazz standards&#8221;.<br/><br/>Jazz standards are tunes that working musicians are likely to <br />encounter at any time. Too often, guitarists with a rock or <br />country background wishing to move into jazz don&#8217;t know the tunes <br />that are the common currency of players in all styles of jazz.<br/><br/>Here&#8217;s a sample list of 20 jazz standards:<br/><br/>1. Autumn Leaves</p>
<p>2. All The Things You are</p>
<p>3. All Of Me</p>
<p>4. Ain&#8217;t Misbehavin&#8217;</p>
<p>5. C Jam Blues</p>
<p>6. I Got Rhythm</p>
<p>7. Have You Met Miss Jones</p>
<p>8. Out Of Nowhere</p>
<p>9. I Cover The Waterfront</p>
<p>10.Satin Doll</p>
<p>11.Misty</p>
<p>12.Summertime</p>
<p>13.St.Louis Blues</p>
<p>14.Watch What Happens</p>
<p>15.Lullaby Of Birdland</p>
<p>16.Sweet Georgia Brown</p>
<p>17.Georgis</p>
<p>18.Take The &#8216;A&#8217; Train</p>
<p>19.Stormy Weather</p>
<p>20.There Will Never Be Another You<br/><br/>There are many books that show how to use chord substitutions, <br />but if the basic chord changes are not known, substitutions and <br />embellishments often confuse the improviser and the listener.<br/><br/>When the musician is learning jazz guitar chords online, it&#8217;s <br />essential to learn the basic set of chords for the jazz <br />standards.<br/><br/>Chord substitutions to basic chords are usually determined by the <br />melody notes and the style of music being played.<br/><br/>The point is that guitar players can become totally absorbed in <br />jazz chord manuals that teach chord substitution etc., without <br />firstly learning the basic set of chords.<br/><br/>Keep in mind that while the melody of a jazz tune is usually <br />presented in an accurate manner in standard sheet music, the <br />harmonic changes are rarely suitable for a jazz performance.<br/><br/>Once the guitarist learns the skills of being able to uncover the <br />basic chord changes to jazz standards, they can then re harmonize <br />the harmonic background many different ways to reflect the way <br />they wish to present a particular piece of music.<br/><br/>Understanding how to strip back the chords also helps the <br />guitarist see many similarities in the small number of chord <br />templates that thousands of jazz tunes are composed over, which <br />helps us remember tunes.<br/><br/>I repeat, The essential skill to learn is to be able to &#8217;see&#8217; <br />(de-code), and &#8216;hear&#8217; the basic set of chords.<br/><br/>The purpose of learning the basic set of chords when you are <br />learning jazz chords online is to help the jazz player learn the <br />basic changes and allow the player to add embellishments and <br />substitutions on a solid framework.<br/><br/><em>By: <strong>Mike P Hayes</strong></em><br/><br/></p>
]]></content:encoded>
			<wfw:commentRss>http://www.thesavagejazz.com/jazz-blog/jazz-guitar-chords-online/feed</wfw:commentRss>
		<slash:comments>0</slash:comments>
		</item>
	</channel>
</rss>

