Guilt, Shame And All That Jazz



It would take volumes of books to address where guilt and shame comes from, how it is triggered and what to do about it. In a nutshell, both of these emotions do not make you feel good about self or foster a happy disposition.

Succinctly put;

“Guilt says I’ve done something wrong; shame says there is something wrong with me.

Guilt says I’ve made a mistake; shame says I am a mistake.

Guilt says what I did was not good; shame says I am no good.”

Bradshaw, John (1988).

Then there is remorse – which is the feeling attached to having hurt someone or done something which hurts us, therefore we don’t feel good. We were not born with shame or guilt, it is something that is instilled into us or onto us through life’s journey. During our childhood, it is probable when we did something ‘wrong’ we were smacked or punished and made to feel bad about who we are. That’s the start of a cycle where we start to feel shame about our needs, desires and wants.

Shame is feeling wrong for having desire that is not in alignment with someone else’s viewpoint usually our parents. We may all remember instances when as children we had desires that did not make our parents happy, and to control those desires they shamed us in order to suppress the desire.

For example, a child has a desire that would cost the parents a lot of money. The parent’s frustration of not having enough money to honor that desire results in them shaming the child for having the desire in the first place.

Guilt is anger. Anger that we don’t think we have a right to have. Guilt is an emotion associated with being remorseful. Guilt can be an incredibly powerful emotion with very little tangible reason as to why it should be. Because we believe we are not allowed to have anger we turn it into the emotion of guilt. In order to understand anger you need to learn to understand your guilt otherwise you don’t deal with issues that cause it to rise in the first place. Guilt is also one of the prime sources of manipulation, so in the context of having sex with someone isn’t that an interesting thing to do to yourself. Why feel guilty afterward?

Throughout our lifetime we are instilled with a code of conduct from our parents, school teachers and society and mostly we as people adhere to that code. It would seem that where there is a conflict between our needs, our wants and our desires in relation to that code of conduct, this is where the foundation for guilt begins, by being made to feel bad about having those wants or desires in the first place.

Gossip magazines try to shame everyone – especially those in the public arena, by bringing about shame, even for loving someone! And the politicians get a real good serve of shame dumped on them even for being the ordinary humans they are.

Both guilt & shame are linked to the way society, family or school teachers try to control us. At the end of the day no matter whether we have been made to feel shame and guilt growing up or not, it is probable we will have experienced those feelings through some incident we have experienced. We can even have those feelings because we survived an accident and some else did not.

Guilt and shame often stems from these old unresolved memories. We can choose better feeling thoughts, we can think of people or experiences or places that bring a smile to our hearts and faces and lifts our spirits.

Life is not necessarily about right and wrong. Life is experienced and our thoughts play an enormous part of feeling ‘right or wrong’ and in the judging of others. Our thoughts can change our lives for the better – we have the choice in any given moment to change our way of thinking of any situation, to reach for a better thought, rather than remain in negativity, blame, judgment and condemnation.

Guilt and Shame are complex subjects. However pause for a moment, take a breath and realize,

It is OK to give yourself permission to feel good.

It is OK to give yourself permission to have sex without the guilt or shame setting in afterward.

It is OK to have sex with someone and simply feel good. Feel good that you had the interaction, feel good about the connection, feel good about the heightened emotions experienced at the time.

Who that ‘other’ is, whether they fit into your life permanently (or not) is not what is important. What is important, is that you respect and honor yourself, the decisions you make, and do not detract from what feels good for you and makes you happy.

By: Marie-Elise Allen



Sleepwalk is the latest release from Jazz Sensation Larry Carlton, and is another winner from this talented musician.

It’s a rare day indeed that I get a CD from an artist that I can truthfully say does not have a bad track in the bunch. I’m more than happy to announce that’s exactly what I must say about this one. There simply isn’t a bad one in the bunch. No fillers here at all, with each song standing tall on it’s own.

Sleepwalk is a pleasantly varied, mix of 8 tracks that are very well written songs by this clearly outstanding artist. With many of the songs displaying a lot of the kind emotion that makes for a really great listen. Clearly drawing from what I can only imagine are him own real life experiences. At different points touching on the most real emotions like love, heartbreak, pain, failed relationships and unattainable romance. They’re all here.

Listen to this CD and I believe you’ll find there’s not much to dis-like about it. The songs are inspired, the production is simply outstanding, and Larry Carlton is clearly in top form. So much so that if you’re even mildly into Jazz music you’ll enjoy this album.

While this entire album is outstanding the truly standout tunes are track 3 – Song For Kate, track 4 – Frenchman’s Flat, and track 8 – You Gotta Get It While You Can.

My Bonus Pick, and the one that got Sore [...as in "Stuck On REpeat"] is track 7 – 10:00 P.M.. This is a great track!

Sleepwalk Release Notes:

Larry Carlton originally released Sleepwalk on October 25, 1990 on the MCA Jazz label.

CD Track List Follows:

1. Last Nite

2. Blues Bird

3. Song For Katie

4. Frenchman’s Flat

5. Sleepwalk

6. Upper Kern

7. 10:00 P. M.

8. You Gotta Get It While You Can

By: Clyde Lee Dennis

Read, write, discuss and debate over Jazz. In simple words, love Jazz. Perhaps it is the best way to learn and play Jazz better. Never limit your experimentation during the phase of learning. The more you would experiment, the more you would be exposed to different styles and techniques of jazz. The more you’d be exposed to the styles and techniques, the brighter are the chances of attaining mastery over Jazz.

But while delving over the emotion of Jazz, keep in mind the fact that emotion is intrinsic in nature and no book can teach you to capture it. Your belongingness and affinity enables to master the emotion and help a lot to learn to play Jazz faster. This article comprises some necessary tips on mastering Jazz.

First step of Jazz learning is assessing your self potential. As a beginner you are advised to listen to as many Jazz tracks as you can. Maintain a judicious balance between the all time hits and the current trends. Try to understand the basics and implement it to lay the foundation of Jazz learning. After it learn and try to have proficiency in all 12 major scales. Your exposure and expertise in all the scales helps a lot in future.

In the next step you can buy a Jazz book published by any reputed publisher to make your learning easier. While buying a book, go for that where chord symbols or guitar tabs are written above the melody line. Then master major 7th, minor 7th, and dominant 7th, half diminished and diminished chord of every key. Once you master these, stop taking the help of the book and start playing on your own. With passage of time and experience, learn chord inversions, playing CM7, pentatonic scale, 3, 6, 2, 5, 1 progression, chromatic and diatonic harmony to add to your skill and expertise.



By: Akhila Choudhary