A Brief History of Jazz Music



The folk songs and plantation dance music of black Americans have much to say about the early jazz. These types of music came about all the way through the Southern United States at some point in the eighteen hundreds.

Ragtime, a musical technique that influenced early jazz, emerged from the St. Louis, Missouri, area in the late 1890’s. It rapidly became the most popular music style in the United States. Ragtime was a vigorous and syncopated assortment of music, primarily for the piano, that give emphasis to a formal composition.

A conventional jazz band would consist of a front line of a trumpet, trombone and clarinet or the saxophone, and a rhythm section of drums, a bass, a piano, and often times a guitar or banjo. The blues is a type of music that has always been an imperative part of jazz. The blues was especially widespread in the American South. Its mournful scale and uncomplicated repeated harmonies helped shape the character of jazz. Jazz instrumentalists have long exploited the blues as a vehicle for improvisation.

Completely developed jazz music in all probability started off in New Orleans at the commencement of the nineteen hundredths. New Orleans style jazz came forward from the city’s own musical customs of band music for black funeral processions and street parades. Today, this kind of jazz is occasionally known as classic jazz, traditional jazz, or Dixieland jazz. New Orleans was the musical home of the first distinguished players and originators of jazz. Jazz soon broaden from New Orleans to the other parts of the country.

The 1920’s have been called the golden age of jazz it the jazz age. Commercial radio stations, which first appeared in the 1920’s, featured live performances by the growing number of jazz musicians. New Orleans, Memphis, St. Louis, Kansas City, Chicago, Detroit, and The City of New York were all significant centers of jazz.

A group of Midwest youths developed a type of improvisation and arrangement that became known as Chicago style jazz. While in The City of New York, a musician named as James P. Johnson popularized a musical style from ragtime which is known as stride piano. In stride piano, the left hand plays alternating notes single notes and chords that move up and down the scale the scale while the right hand plays solo melodies, accompanying rhythms, and interesting chordal passages. Johnson strongly influenced other jazz pianists.

Fletcher Henderson was the first most important figure in big band jazz. In 1923, he became the first leader to arrange a jazz band into sections of brass, reed, and rhythm instruments. His arranger, Don Redman, was the first to master the modus operandi of scoring music for big bands.

By: Jim Oneil



Paul Brown has released his most recent CD entitled Up Front.

I wish it weren’t the case but, it’s not everyday that I get a CD from an artist that I can just pop in and comfortably listen to from beginning to end. There is usually a song or two that I just can’t force myself to get through. Not at all the case with Up Front. Every track is enjoyable and was pretty easy for me to listen to from start to finish.

Up Front is a pleasantly varied, mix of 12 tracks that are very well written songs by this clearly talented artist. With many of the songs displaying a lot of the kind emotion that makes for a really great listen. Clearly drawing from what I can only imagine are his own personal experiences. At different points touching on the most real emotions of love, and the pain of failed relationships can certainly be heard.

The nice thing about a CD like this is with this level of talent even if smooth jazz isn’t your favorite style you still can’t help but appreciate the greatness of the artist.

This is a first rate CD, delivering a little something for everyone. I give it my highest recommendation. It’s quite simply great listening. A must buy if you’re even mildly into smooth jazz music.

While the entire CD is outstanding some of my favorites are track 1, Wes’ Coast Swing, track 2 Angel, track 5 My Funny Valentine.

My SmoothLee Bonus Pick, and the one that got Sore [...as in "Stuck On REpeat"] is track 4, Don’t Let Me Be Lonely Tonight. This is a great track!

Up Front Release Notes:

Paul Brown originally released Up Front on Feb 24, 2004 on the GRP Records record label.

CD Track List Follows:

1. Wes’ Coast Swing

2. Angel

3. Moment By Moment

4. Don’t Let Me Be Lonely Tonight

5. My Funny Valentine

6. Phat City

7. Sweet Sweet Love

8. Ain’t No Sunshine

9. Chill Out

10. 24/7

11. Dear Ndugu

12. Moondance

Personnel: Paul Brown (vocals, guitar, programming); Larry Williams (saxophone, flute, keyboards); Boney James, Dan Higgins (saxophone); Rick Braun, Jerry Hey (trumpet); Bill Reichenbach (trombone); Cam (horns, keyboards, bass, drums, programming); Jeff Lorber (vibraphone); D.C. (keyboards, vocodor, synthesizer, guitar, programming); Jeff Carruthers (keyboards, acoustic & electric guitars, bass, drums); Chuck Loeb (keyboards, acoustic guitar); Kurt Clayton (keyboards, bass, drums); Roberto Vally (keyboards, bass); Peter White (nylon string guitar). Producers include: Peter Brown, Johnny Britt, Cam, Jeff Carruthers, Chuck Loeb. Principally recorded at Funky Joint, Sherman Oaks, California and The Soul Shack, Van Nuys, California.

By: Tom Milson



I can describe the latest release from Smooth Jazz sensation Everette Harp for you with just one word… Outstanding!

Refreshingly, this was one of those CDs I was able to just pop in and comfortably listen to from beginning to end. Every track is enjoyable and was pretty easy for me to listen to from start to finish.

All For You is a pleasantly varied, mix of 12 tracks that are very well written songs by this clearly superb artist. With many of the songs displaying a lot of the kind emotion that makes for a really great listen. Clearly drawing from what I can only imagine are his own real life experiences. At different points touching on the most real emotions of love, and the pain of failed relationships can certainly be heard.

The nice thing about a CD like this is when the talent is this rich even if Smooth Jazz isn’t your favorite style you still can’t help but appreciate the greatness of the artist.

Overall All For You is an outstanding release. Quite possibly Everette Harp’s best to date. Really sensational from beginning to end. If you’re even mildly into Smooth Jazz music you’ll enjoy this CD.

While this entire CD is really very good some of my favorites are track 4, Just Like Ole Times, track 6, Time Of Our Lives, track 10, I Like The Way.

My SmoothLee Bonus Pick, and the one that got Sore [...as in "Stuck On REpeat"] is track 5, When Can I See You Again. It’s a great track!

All For You Release Notes:

Everette Harp originally released All For You on Jul 20, 2004 on the A440 Music Group label.

CD Track List Follows:

1. Kisses Don’t Lie

2. Back In Your Arms

3. Hey Yeh

4. Just Like Ole Times

5. When Can I See You Again

6. Time Of Our Lives

7. Can You Hear Me

8. Groove Control

9. It’s Just The Way That You Love Me

10. I Like The Way

11. I Remember When

12. In The Blink Of An Eye

Personnel include: Everette Harp (vocals, alto saxophone, tenor saxophone, keyboards, programming); Howard Hewitt (vocals); Dwight Sills, Norman Brown, Paul Jackson Jr. (guitar); Earl Klugh (acoustic guitar); George Duke (piano, Fender Rhodes piano, synthesizer); Larry Kimpel (bass instrument); Lil’ John Roberts, Michael White (drums). Recording information: Rue De Harp, Santa Clarita, CA; Glenwood Place, Burbank, CA; Le Gonk’s West, Los Angeles, CA.

By: Tom Milson